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supported by 7 fans who also own “Socotra”
This is the first album I found that really spoke to me as a young fem. From the simplicity, the bass drum, specifically in landfill is so steady and soothing. I love landfill because it perfectly portrays trauma bonds, sexual or romantic relationships rooted in power imbalance. Being led on, unrequited love, constantly being clueless if someone is a real friend, or a lover. Are they yours or are they ruthlessly rogue. Untameable. Love and hate are such similar feelings, and they often mingle.
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supported by 6 fans who also own “Socotra”
this is probably one of the greatest recordings of all time. i'm in awe every time i listen to this ep. it's so well done and i love it
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Immanent Fire
by Emily Jane White
The Oakland singer's latest album imagines the power struggle between man and nature as a slow, steady tempest of dark folk.
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Prologue: The Farmer's Daughter EP
by We Are Baker
Baker is a new project from childhood pals Mishal Moore & Richard Cortez with a lo-fi, bluesy n' soulful southern vibe.
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Hotel Landifornia
by Fuzzy Jones
Swooping, pristine folk-adjacent songs with bright guitars and soothing melodies that quietly entrance.
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Soon the Wind Came
by Ella Coyes + Jasper Smith
supported by 6 fans who also own “Socotra”
Feelings I get from this EP: Like walking down a boulevard in some sunny American state, while the magic hour twilight bounces off the pavement, people smoke and talk and fall in love and out of love. A bittersweet place, because we know the night is coming, but it's not yet here.
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