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Caroline Reese Folkadelphia Session 1/28/2017
by Caroline Reese
supported by 5 fans who also own “The Track”
The individuality & influence of the artists solo endeavour. The colour of her character, the foundation of her convictions.
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supported by 5 fans who also own “The Track”
This is the first album I found that really spoke to me as a young fem. From the simplicity, the bass drum, specifically in landfill is so steady and soothing. I love landfill because it perfectly portrays trauma bonds, sexual or romantic relationships rooted in power imbalance. Being led on, unrequited love, constantly being clueless if someone is a real friend, or a lover. Are they yours or are they ruthlessly rogue. Untameable. Love and hate are such similar feelings, and they often mingle.
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Prologue: The Farmer's Daughter EP
by We Are Baker
Baker is a new project from childhood pals Mishal Moore & Richard Cortez with a lo-fi, bluesy n' soulful southern vibe.
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Hilary Parkin Will Kill You
by Hilary Parkin
Hoping the threat in the album title isn't real, because her voice and nostalgic production is such a good listen.
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Immanent Fire
by Emily Jane White
The Oakland singer's latest album imagines the power struggle between man and nature as a slow, steady tempest of dark folk.
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